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Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Sunday, March 25, 2018

Ode to the Broken (AKA Spoopy Bridge Story)

I'm studying abroad in Austria this semester, and my university doesn't have a booming creative writing program, to put it mildly. That said, I am currently enrolled in an introductory fiction writing class. It's...odd to be back in an intro course, but so far I adore it.

Anyway, for our first homework assignment, my professor gave us several prompts to choose from. The one I chose was to find a photograph and write a scene inspired by it. It's the first creative thing I've written in a while, and I quite like it, considering it is a first draft.

I'm gonna share it with you now. Keep in mind this is not meant to be a complete short story.

P.S. I found the image on Pinterest.


The lake is perfectly still, as if the fey and the gods and the entire land are holding their breath in anticipation. And perhaps they are, indeed. But I know the tremble in their chests do not mimic mine, for they aren’t weary and fearful like I am.
They are eager.
If the ravenous eyes of the forest and the sky have narrowed their focus to witness this moment, it is because they can sense the peril awaiting the foolish mortal who dared to crash into their havens and demand recompense.
Or maybe they’ve already forgotten about me. What is a mere moment’s irritation in the scope of eternity?
The bridge that leads to Her neglected altar appears instable, but not otherworldly. It is discolored and dilapidated, like a corpse that had never been discovered. It leans left and then right, dips below the water and rises above again. Staggering. Struggling to stay afloat.
I am familiar with the feeling.
“When does it stop being worth it?” Calden asks from behind me. “This vengeance quest of yours.”
I didn’t think there was anything left in me to crumble, but I feel it in the pit of my stomach. The last of my spirit has disintegrated.
“I haven’t assigned a value to our son,” I say. My voice is frigid and empty. I almost don’t recognize myself, but this is who I have become. “We’ve given up everything for him. Why quit now, when there’s a chance we can get him back?”
At fifteen, Father forbid me from seeing Calden, claiming I could never marry an executioner’s son. At sixteen, my stomach swelled. Mother wailed while Father tried to thrash the baby out of me. I escaped off adrenaline alone and Calden spent weeks nursing me back to health in an abandoned cottage in the woods.
We’d learned to catch our own food and hide whenever footsteps approached.
We lived in constant terror: that my father would find us, that the water would make us ill, that our baby would never see life. We didn’t know what we should have really been fearing.
Calden takes a step forward and reaches for my hand. How can he possibly feel so warm? I allow myself to bask in it for a single moment, knowing it might be the last warmth I’ll ever feel.
“He was a child,” I whisper. “He was pure and lovely, and he did not deserve to die at the mercy of a frivolous war. The fey and the gods—they were careless, and they will undo the ruin they have caused.”
He shudders—I see it in his face and feel it in the grip on my hand. “This will not work. You cannot trifle with She who even the gods fear and expect to survive.” His next words are so flimsy, so ephemeral, they already sound like a memory. “I cannot lose you, too.”
A gust of wind leeches any warmth from my bones but it does not ruffle the water before us. I turn away from Calden’s pinched face.
“Can’t you see? You already have.”
As I take my first step onto the precarious bridge, the wind intensifies. It envelops me like an enormous hand enfolding me in its grasp. Whether that hand is pushing or pulling me, I cannot yet tell.
             A howl rises on the wind, and with each step I take, it becomes more musical, a dissonant melody beckoning me toward Her altar.

Thursday, January 11, 2018

Writing Discussion: When Your Words Stop Being Pretty


For the past couple months, I've been undergoing the process of graduate school applications for creative writing. If you're unfamiliar with the process (I mean, I was before I began it), a major part of an MFA application is the writing sample. It's pretty much the most important aspect of your application. Every school has different requirements for length and whathaveyou, but for the most part, fiction submissions are to be 20-25 double-spaced pages.

All that said, for the past few months I have been revising one story over and over to make sure it is the best version that it can be.

And you know what?

I can't differentiate between the good and the garbage anymore. I've read the manuscript so many times that the words have lost any beauty they might have had. It's incredibly discouraging to look at your own work and not see lines you love anymore. To not even know if it's worth reading anymore.

I asked some creative writing friends to read it and give a bit of feedback, but that was during finals week, so I never heard anything from them and I didn't want to bother them with it.

This is the point where I need to put a bit of distance between the story and myself. Step away from it. Work on something else for a while and then get back to it. The problem is that's not an option. Some applications were due last month, some are due this month, some are due next month. So basically, I have to submit what I have.

I was struggling with this a lot because I thought, "I'm never going to get into grad school if this story isn't the most perfect version of itself." That's just crazy talk. I am a talented writer. Obviously I have miles and miles of room for improvement, but the talent is there.

I realized I just need to trust myself. Sure, that story has stopped being pretty to me, but I need to trust that I saw something in it in the first place. That I worked to improve it. That I know, at least a little bit, what I'm doing. I need to have faith in my own abilities, even if it's just for that split second when I have to hit the "Submit Application" button.

No story is ever going to be perfect. Ever. So I think when you reach the point that your story is somehow good and bad and nothing all at once, you've probably done all you can do for that story. At least for now. When you're no longer able to see the value in your own work, you need to trust that it's there because you must have seen it at one point, or else you wouldn't have worked and worked and worked tirelessly on it in the first place.

Obviously, it's probably nice to get a reliable second opinion, but that's not always an option. And if it is an option, it's not always easy to ask for.

Moral of the story: writing is very hard. Rewriting is very hard. Reaching perfection is impossible.

LET'S DISCUSS: Does this happen to you? If so, what do you do??????

Saturday, June 24, 2017

Literature/Writing Classes I Wish I Could Take

This is kind of a weird post. But I'm posting it anyway. I'm an English and creative writing major, and as I was picking out my classes for next semester, I started thinking about the limited courses available at my Arkansas college, and all the courses I wish I could take. A lot of these are really specific classes, but they're topics I'd love to delve into. I'm sure these classes exist somewhere, but, ya know, not at my school.

LITERATURE CLASSES: 

1) Strong Female Characters
2) Family Dynamics in YA
3) Friendships in YA
4) Villains
5) Book-to-Film Adaptations
6) Traveling in Literature
7) Sidekicks
8) Tropes in YA

WRITING CLASSES:
1) Worldbuilding
2) Pacing
3) How to Write One-of-a-Kind Characters
4) Dialog Writing
5) Query Writing
6) TV Show Writing
7) How to Write Plot Twists
8) Writing Comedy
9) Side Characters with Depth
Honestly, there are so many other things I'd be interested in learning about as well, but these are the ones I could think of right now. Imagine how much you'd learn and how fascinating it would be to really dig into these subjects.

DO ANY OF THESE SOUND INTERESTING TO YOU? IS THERE SOMETHING I DIDN'T MENTION THAT YOU THINK WOULD MAKE A REALLY INTERESTING CLASS?

Thursday, June 8, 2017

Just Write #3

Ever since I started blogging again, I've been looking for a way to incorporate my writing hobby on my blog. Finally, I've figured out a way to do it. I've started a feature called Just Write, in which I share some of my writing/writing ideas. I'd love feedback, and it would be super cool if y'all wanted to share some of your writing/ideas with me! You can either do your own Just Write post and link it up in the comments, or you can put it right there in the comments. I'm super excited about this, so don't be shy when it comes to interacting. I want to hear anything you have to say!

This is an excerpt from a short story I wrote last semester called Ashes in the Ocean

My appetite has miraculously abated. And to think, the food was the only part I was looking forward to. 

What else is there to even do at a funeral—or, sorry, a celebration of life. We're going to be lighting lanterns and spreading her ashes later, but right now is reserved for mingling, and for whatever reason that just does not sound appealing to me.

I search for my dad, who is no longer slouching on the couch. My heart kicks into full gear. Dad has issues with his tongue and his temper and, though unspoken, my whole family knows it's my responsibility to look after him. I whirl around, all the somber faces melding together, and hardly breathe again until I spot Dad standing in a corner, clutching a picture frame.

Doing my best imitation of nonchalance, I sidle up beside him and lean into a side-hug. “What's that?” I expected him to be looking at a photo of my mother or our family. Instead, he's staring down at a newspaper clipping.

“Since when did she like to garden?”

He's reading her obituary.

I shrug because that's all I can really do when it comes to my mother.

A tremor runs through my dad and he hugs the frame to his chest. His voice is thick when he says,

“She was never interested in gardening when we were married.”

I'm the youngest in the family, but these past few days I feel like I've been constantly grappling for ways to comfort everyone, to be the soothing voice in the cacophony of devastation. But right now I don't know what to do. Dad is more than drunk and he's more than sad and I shouldn't have to know how to handle this.

I should be unraveling. I should be in need of comfort.


Daniel appears at my side. He nods at me, lips pulled tight, and says, “I got this,” as if he read my mind.

Seemingly out of nowhere, Lakyn grabs me by the elbow and leads me to a quiet pocket in the room.
Reese holds out a cup. "I made you a screwdriver."

"I'm good, but thanks."

"What, you don't like vodka?"

"My family doesn't exactly have the best track record with booze."

Lakyn snorts. "One drink won't kill you."

My Dad lost his job because he got drunk and cussed out his boss. My mother lost her children because she got drunk before the custody hearing. I'm sure I can find a different crutch to lean on.

"Yeah, but it won't help me either."

Nodding, Reese sets the drink on a nearby table. "Okay, well this is the most depressing 'celebration' I've ever attended. Do you guys wanna go somewhere?"

"Yes. Please," Lakyn says, pulling me by the elbow once again.


I jerk my arm away. "This is my mother's funeral. I cannot just leave."

"That lady at the food table didn't even know who you were," Lakyn says. "Nobody will notice if we sneak away for a little while."

"My family will. My dad is having a hard time and I need to help keep him out of trouble. Plus, we're supposed to go to the beach soon and light lanterns."

My phone goes off, interrupting whatever Lakyn was about to say. This time it really is Robert.

I think it would be better if we talked about this when you're back from Florida, it reads. And this way we'll both have time to think about what we really want.

Lakyn is hovering over my shoulder. "Is that your boyfriend?"

"For now," I say, quelling the bubble rising in my throat.

"What does he look like?" Lakyn asks. "Is he cute?"

"Where do you guys want to go?" I blurt.

Any questions, comments? I'd love to hear your thoughts or tell you more about the storyline. What do you think about this new feature? Also, I would definitely love to see some of your writing!

Friday, May 20, 2016

Just Write #2

Ever since I started blogging again, I've been looking for a way to incorporate my writing hobby on my blog. Finally, I've figured out a way to do it. I've started a feature called Just Write, in which I share some of my writing/writing ideas. I'd love feedback, and it would be super cool if y'all wanted to share some of your writing/ideas with me! You can either do your own Just Write post and link it up in the comments, or you can put it right there in the comments. I'm super excited about this, so don't be shy when it comes to interacting. I want to hear anything you have to say!

My first Just Write post featured the pitch for the screenplay I was writing for my screenplay class. Update: I got an A in the class. I didn't write the entire screenplay, but I got the first two (out of three) acts written. Anyway, when I first posted the pitch, a few of you commented,m saying you wanted to see more of it. I figured for this week's Just Write, I'd share a little snippet with y'all. This was a really fun scene to write. This is a flashback to when the protagonist, Riley, first met her best friend, Lexie. 

(The formatting is a little janky because it's hard to put screenwriting format into a blog because screenplays have a VERY specific format guide. Other than that, I hope you enjoy.)



INT. TAXI – LATE AFTERNOON

The taxi's interior is clean, with black vinyl seats and polished door panels. A blue air freshener dangles from the rear view mirror.


Lexie and Riley sit in the back. Lexie's shoulders slump, and she fingers her seat belt. Riley, not wearing a seat belt, leans her head against the window, eyes closed.


The driver eyes Riley through the rear view mirror.


DRIVER
She doesn't drool, does she? I hate wiping people's saliva off my upholstery.

LEXIE
No, sir.

DRIVER
Lemme ask you something. You seam like a fairly nice girl, and she has obviously made it her mission to be as big a handful as possible.

LEXIE
Sorry, but I'm not sure I understand what you're asking.

DRIVER
I guess I'm just wondering why you put up with her. I'm sure there are tons of nice girls who want to be your friend.

Though her eyes are still closed, Riley furrows her eyebrows.


LEXIE
In my experience, sir, the ones who seem nice often aren't. Riley has a sharp tongue and rough edges, but she doesn't pretend.

DRIVER
Still seems like a lot to deal with.

LEXIE
She's the best friend I've ever had.

Riley's hard expression softens into a small smile.



INT. HIGH SCHOOL CAFETERIA - NOON (FLASHBACK)


The room is vast, with dozens of tables occupying the floor space. Hundreds of HIGH SCHOOL STUDENTS (15-18, varying ethnicities and physical attributes) swarm the cafeteria, standing in food lines and crowding the tables.


Fifteen-year-old Lexie waits alone in the line for the salad bar. She stares at a table about twenty feet away, populated by a group of seven girls leaning close together, gossiping and laughing.


Fifteen-year-old Riley stands a few people back in line, staring ahead blankly.


A JOCK (17, 6'2" -- brawny arms; short, gelled hair) brushes Lexie's shoulder. She whirls around and smiles politely at him.


LEXIE
I'm sorry. I must have bumped you.

JOCK
No worries. I touched you on purpose to get your attention.

LEXIE
Oh. Well, you have it now. What can I do for you?

JOCK
Many things, I'm sure. You know, you're pretty hot for a freshman.

Riley fixes her eyes on Lexie and the jock's exchange. Her lips purse.

LEXIE
Uh, thanks.

JOCK
So, what that mouth do?

LEXIE
Excuse me?

Lexie glances toward the table of girls again, eyes pleading, but the girls refuse to notice.

JOCK
I bet there's an empty classroom around here.

LEXIE
Uh--

Riley pushes past the people standing in front of her and slings an arm around Lexie's shoulders.

RILEY
Hey, asshole, how about you leave my girlfriend alone?

JOCK
Girlfriend? That's sexy as hell.

RILEY
I bet it won't be so sexy when I cut your dick off. That's right, I'm a little crazy and I am very fond of knives.

The jock's mouth gapes open. Without another word, he pivots and flees. Riley and Lexie burst out laughing at the same time.


LEXIE
Thank you for that.

RILEY
That guy had creeper vibes oozing off of him.

LEXIE
I suck at deflecting people like that. I was hoping my friends would see and come help, but I guess they were distracted.

RILEY
I'm Riley.

LEXIE
Nice to meet you! My name is Lexie. Do you always have second lunch period? I've never seen you before.

RILEY
I'm new, actually. To the school, not just to second lunch. Today is my first day.

LEXIE
Holy cow! Welcome! Are you new to Los Angeles as well?

RILEY
Yeah, I'm from Arkansas.

LEXIE
Oh my. That's kind of a culture shock, I imagine. What brought you to L.A.?

RILEY
My mom has lived here for a few months. I just moved in with her.

LEXIE
Well cool! Hey, if you want, when you get your food, you can come sit with me and my friends.

RILEY
Oh, all right. Thanks!

LEXIE
It's the least I can do after you saved me from that creepy guy.

END FLASHBACK.

Any questions, comments? I'd love to hear your thoughts or tell you more about the storyline. What do you think about this new feature? Also, I would definitely love to see some of your writing!

Friday, February 12, 2016

Just Write #1

Ever since I started blogging again, I've been looking for a way to incorporate my writing hobby on my blog. Finally, I've figured out a way to do it. I've started a feature called Just Write, in which I share some of my writing/writing ideas. I'd love feedback, and it would be super cool if y'all wanted to share some of your writing/ideas with me! You can either do your own Just Write post and link it up in the comments, or you can put it right there in the comments. I'm super excited about this, so don't be shy when it comes to interacting. I want to hear anything you have to say!

As some of you may know from some of my previous posts, I am currently taking a Screenwriting class in college. I think it's really cool, and I'm really loving learning how to write a movie. One of our first assignments was to write a pitch for the movie and read it to the class (let me tell you, that part was terrifying). I figured I'd share my pitch with you all and see what you think of the story!

Run and Go

One of the most basic human instincts is fight or flight, and the heroine of this contemporary drama, 17-year-old Riley Quinn, has a history of choosing flight. In ninth grade, when her father re-married and her boyfriend became her step-brother, she changed her name and booked a flight from Faber, her small Arkansas hometown, to L.A to live with her famous lawyer mother. She didn't offer an explanation or a good bye to her father and lifelong friends.


Now, three years later, her mother finds Riley and her new (and newly-orphaned) best friend Lexie hiding out in a motel in Rhode Island. To Riley, the punishment they receive feels more like torture—Riley and Lexie have to move back to Faber and live with Riley's dad and his new family.


Of course, her first reaction upon their arrival is to flee once again. However, Riley discovers her father's health is declining and realizes she cannot leave again. She realizes she must stay and fight. Nobody in Faber lets her off easy, though. Riley's father is hurt and confused. Her old friends are cold and unforgiving. Nobody is willing to overlook Riley's betrayal, and they certainly are not willing to accept Lexie, the only person Riley seems to care about anymore.


Riley's ex-best friend, Mia, has taken Riley's friends, first love, and has now taken it upon herself to make sure Riley and Lexie know they are not welcome in Faber. Riley has devoted the last three years to protecting thoughtful, fragile Lexie, but now she is is preoccupied, focusing her attention on convincing the town she is not as heartless as they think she is, stifling old feelings for the boy sleeping just down the hall, and wishing desperately to make up the time she lost with her father. Lexie feels overwhelmed and cast aside, especially as she realizes all the truths about Riley's life in Faber that she kept hidden.


Riley struggles to reconcile who she was when she lived in Faber with the life she forged for herself in L.A. She finally admits—to herself and to the rest of Faber—why she left so abruptly. Right when she believes she may be able to balance what she wanted then and what she wants now, when she believes she may be able to balance her newfound loyalty to Lexie with her old ties to Faber, the two worlds collide together and shatter Riley's life into countless shards of jagged glass, and she is left to decide which pieces she wants to pick up—Lexie's or her father's. Either way, Riley cannot run from this problem.  

Any questions, comments? I'd love to hear your thoughts or tell you more about the storyline. What do you think about this new feature? Also, I would definitely love to see some of your writing!